ASA 141
Week 8 blog post
Speaking through
Cloth: Teaching Hmong History and Culture through Texture Art by Ava McCall,
discusses paj ntaub, and how it helped
document and preserve the Hmong culture over time. Before doing the reading, I did
not know that much about Hmong culture, so I found it very fascinating to read
about the paj ntaub. The designs and intricacy of pattern development show how
detailed of a story the cloths portray. The designs often depicted family life,
whether it was harvesting or working together, it is apparent that the community is
highly valued. The story cloths also developed and changed with the Hmong
people’s state of being. The cloths traditionally used symbols, important geometric
patterns and bright colors. It was especially important when celebrating the
New Year or big familial occasions. When Hmong fled to Thailand refugee camps, these
cloths became a source of income. They also began to adopt Thai style clothing.
Later, when the cloths were sold for income, they began sewing them with more muted
colors. But throughout the changes, the main purpose and idea of the paj ntaub remained
the same. Each design told a story of their history, which highlights the evolution
of fashion.
In addition, the fact that both men and women took part in
the process was also interesting. In all of the readings so far, sewing and
textiles have been associated with women throughout history. In garment
factories, especially throughout the development of the garment district in New
York City, or in factories in Asia, women are the one's sewing. But Hmong men helped
design and embroider in order to generate income.
McCall mentions the cloths/designs began to be integrated
into bedspreads, pillow covers, aprons, and bookmarks (234); do you think this
changes the meaning or value of the traditional cloth? (An example of the bedspread with Hmong textiles is depicted on the right https://www.pinterest.com/pin/164944405075860784/).
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