Saturday, May 4, 2019

Week 6: Material Mao

Jacqueline Yee
ASA 141
Week 6 Blog post


Material Mao was an interesting chapter about the development of Asian chic. The chapter primarily follows Zhang and Tam, the two designers behind the use of Mao Zedong as a pop culture icon for their collection. It seems like Tam likes to use political figures in her work to portray a sense of hope and a new start. In 2013 she used Barack Obama on the runway as well.

In the chapter, Tam mentions that the purpose of the collection was to portray a different perspective of China; that it was a country free from “political complexity, social unrest, and economic turmoil” (139). Through the use of fashion, she wanted to convey a sense of warmth and humor from China. But it was interesting that this message was not completely grasped or understood by both her Eastern and Western audiences. In the West, people drew comparisons to Andy Warhol but failed to recognize the political significance of Mao. This audience saw it more as a joke rather than a message about a country’s changing image. In Hong Kong, her collection was met with a lot of backlash and confusion of using Mao as a symbol. Historically, many Chinese people fled to Hong Kong to avoid Mao so people did not understand why there was a need to put his image on clothing. (Knowing this, why do you think Tam still approached Hong Kong manufacturers given the history of China?)

what her audiences think they already know about China.


In the chapter, Nguyen says that Tam has been seen as a controversial designer fashion scene because her work does not challenge preconceived notions of China. Through this collection, the mixed reviews parallel this perception of her. While Tam pushed the boundaries and encouraged conversation around her collection, and it also paid off economically and commercially for her as her fame grew following the release.

I thought it was also pretty cool that this collection was showcased at the Met, in their exhibit China: Through the Looking Glass, in 2015. Part of her exhibit is pictured below.

Image result for The Met’s New Exhibit Is About Orientalism, Not China


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